Tuesday, February 3, 2009

MAD PROFESSOR'S OTHER SIDE OF DUB



Dubroom Online - February 3 2009



"MAD PROFESSOR'S OTHER SIDE OF DUB" (WEBMASTER'S COLUMN)

WWW, February 3 2009 - If you would only look to his Mixing skills and releases, there is already more than enough reason to focus on the Mad Professor as we currently do in the Dubroom.

Next to riding the mixing board like, indeed, a Mad Professor, Neil Fraser produced a wide variety of vocalists as well. He records them in his Ariwa Studio's.

He launched carriers, for example that of Pamela Ross aka Aisha. The Dubroom also reviewed a video where Aisha and Mad Professor perform in the UK a few years ago, but it was already back in the 1980's that the brother and sister joined hands to produce some pretty progressive material.

On almost every album that the Mad Professor produces, he will use DUB techniques. But there is another side to his DUB releases: the vocal parts.

Check out Aisha's High Priestess. Just follow the links in the review and press play somewhere.

One Love, Give Thanks,
Messian Dread (Dubroom Webmaster)



One Love, Give Thanks,
Messian Dread (Dubroom Webmaster)

The above column is the personal opinnion of the Webmaster and does not neccesarily reflect the contents of the Dubroom Website and/or Message Boards and/or Weblogs.

ITEMS FOR THIS EDITION:

ELEPHANT MAN (DUBROOM MP3 REVIEW)



Just like Yellowman and others that went before him, Elephant Man is known for his slack lyrics while his conscious lyrics are forgotten.

He chants over a form of music that some would not recognize as Reggae but is popular throughout the Dance halls all over the world nevertheless...

READ MORE



AISHA - HIGH PRIESTESS (DUBROOM ALBUM REVIEW)



On the Ariwa website, she is presented as the Queen of the Roots Daughters and not without reason.

Born in 1967 and already singing eight years later, Aisha would team up with Mad Professor in the 1980's to start what would grow out to a Movement of female Roots singers.

READ MORE

AISHA - HIGH PRIESTESS

AISHA - HIGH PRIESTESS
DUBROOM ALBUM REVIEW






On the Ariwa website, she is presented as the Queen of the Roots Daughters and not without reason.

Born in 1967 and already singing eight years later, Aisha would team up with Mad Professor in the 1980's to start what would grow out to a Movement of female Roots singers.


High Priestess is in many ways to be considered as a document. The album was originally produced in 1986, musically way ahead of it's time. In the same time, it was not so common in that time for a female singer to emphasize on Roots and Roots topics rather than Lover's Rock and/or Dancehall.

The lyrics go deep, very deep. "If there is someone to be blamed, let the politicians be named", for example. In a well worked out combination of lead and backing vocals, it becomes clear that Aisha really is one of the best female singers Reggae has ever known.

As said, the music was way ahead of it's time. In the historical context, it is really interesting to hear Aisha announcing the coming digital age in music and how it will be used to spread conscious vibes.

Not a popular opinion back in that time!

However, the best albums and other creative productions are made in spite of popular opinion, in spite of the spirit of the time, in spite of the wishes of the mainstream recording industry of which the Mad Professor has managed to stay away from throughout the decades of his carrier.

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