Saturday, March 7, 2009

EXIT WAR ON DRUGS?

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Dubroom Online - March 7 2009


"EXIT WAR ON DRUGS?" (WEBMASTER'S COLUMN)

WWW, March 7 2009 - There are just too many reasons why this war should be stopped, most Dubroom readers/visitors will likely agree. At least, this is my estimation.

The satanic "War on Drugs", which already made millions of victims and trillions of dollars in profit for the Police and Prison industry, holds the entire world under it's grip.

Will this ever, eeh, change?

More and more, we hear sounds from the US that seem to indicate that finally there will be some relief in the enormous pressure that herb smokers encounter.

In a recent posting on the Dubroom Message Boards, for example, we could read how certain laws will "possibly" be revised.

One Love, Give Thanks,
Messian Dread (Dubroom Webmaster)

The above column is the personal opinnion of the Webmaster and does not neccesarily reflect the contents of the Dubroom Website and/or Message Boards and/or Weblogs.

ITEMS FOR THIS EDITION:

DEEP ROOTS 3: THE BUNNY LEE STORY (DUBROOM VIDEO REVIEW)

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WWW, March 2009 - In the third hour of this excellent six-part series hosted by Mikey Dread, we go straight to the works of Bunny Lee, the "Hit Maker From Jamaica". Get ready for some massive sights and sounds!


JOHNNY OSBOURNE - NIGHT FALL (EXT) (DUBROOM MP3 REVIEW)

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WWW, March 2009 - Cool and deadly Rub a Dub style in Discomix style just cannot be refused: Johnny Osbourne riding a fat drum and bass line as the instruments and effects accompany him to the second part of the mix, where the DUB continues even deeper.

DEEP ROOTS 3: THE BUNNY LEE STORY

DEEP ROOTS 3: THE BUNNY LEE STORY
DUBROOM VIDEO REVIEW

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WWW, March 2009 - In the third hour of this excellent six-part series hosted by Mikey Dread, we go straight to the works of Bunny Lee, the "Hit Maker From Jamaica". Get ready for some massive sights and sounds!

Ten o clock in the morning: Bunny Lee, Prince Jammy and Wayne Smith get together for a recording session. The video camera is there too, Mikey Dread has once again chosen a crucial place to check out the vibes in Jamaica during the early 1980's.

After this session, Mikey Dread resumes the story of Duke Reid (see previous episode). Bunny "Stryker" Lee, namely, worked together with Duke Reid. He was on his way to become one of the biggest producers of Jamaica. It was a time wherein beauty contests were in full swing, just like the music mixed by Prince Jammy in the early morning session.

A session where we are taken straight back into, after the short resume. Delroy Wilson is next, after Wayne Smith. We go back to Prince Jammy and Bunny Lee as they work on yet another great production.

When Delroy takes of the headphones, it is time to get to know Bunny Lee and his mother a little bit better. She shares memories, the link to slavery is shown, and we get to know another musical predecessor of Reggae, Mento.

That is, before we go back into the studio. It is time for Bunny Lee to talk about Duke Reid and just how he got to get into the Jamaican Music Business. Time for Delroy Wilson to tell a little bit more about himself, being the veteran singer in the studio, singing before Bunny Lee got into the Music Business.

Bunny Lee is well-known for his works with Johnny Clarke. We meet him, he is in the studio as well. With a soft voice, he speaks about his lyrics and identity as a Rasta.

We continue to go further back in time. To the 1940's. Nat King Cole, an American singer who decades before Johnny Clarke would voice into Bunny Lee's microphone, was an inspiration for the Jamaican singers. He is featured, before we are taken back to the studio where the conversation continues in word and lyric...

Singers continue in the studio to sing into the microphone. Classic tunes, brand new vibes, especially Johnny Clarke is crucial once again, as Prince Jammy rides the mixing board spicing up the sound. He is a protégée of King Tubby, to which the viewer is introduced towards the end of this hour.

The Godfather of DUB unfortunately is not there himself, but Prince Jammy dubs it up and the video camera is there to register it. Bunny Lee skanking on the riddim as the DUB is recorded: a truly unique piece of footage...



Friday, March 6, 2009

PUSHED TO IMPROVEMENT

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Dubroom Online - March 6 2009


"PUSHED TO IMPROVEMENT" (WEBMASTER'S COLUMN)

WWW, March 6 2009 - The Dubroom is under continual construction, as there are always new things to add, dead links have to be removed, et cetera.

From time to time, it is necessary to even renovate the site. Sometimes out of choice, sometimes caused by events. Take the disappearance of Xsorbit, for example. The company stopped paying their bills and boom, off-line.

It wasn't my choice to change providers, but I must admit that I was kind of not really satisfied with the possibilities of the old Dubroom Message Boards. '

So, when it turned out that Xsorbit was completely gone, even the CEO supposedly running out of the country with the police on his tail because of some fraud issue, I knew it was time...

One Love, Give Thanks,
Messian Dread (Dubroom Webmaster)

The above column is the personal opinnion of the Webmaster and does not neccesarily reflect the contents of the Dubroom Website and/or Message Boards and/or Weblogs.

ITEMS FOR THIS EDITION:

DEEP ROOTS 2: RANKING SOUNDS (DUBROOM VIDEO REVIEW)

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WWW, March 2009 - The second hour of this 6-hour Reggae History with Mikey Dread as our host opens up with Tommy Mc Cook, saxophone player for the Skatalites. He knows all about the Ranking Sounds he helped to shape in the 1960's.


MIKEY DREAD - TRICKY TRACK (DUBROOM MP3 REVIEW)

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WWW, March 2009 - Mikey Dread's Warrior Stylee riddim is revisited in old skool style with space echo's, spring reverbs and other ancient devices.

A 1982 mix with class!

DEEP ROOTS 2: RANKING SOUNDS

DEEP ROOTS 2: RANKING SOUNDS
DUBROOM VIDEO REVIEW

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WWW, March 2009 - The second hour of this 6-hour Reggae History with Mikey Dread as our host opens up with Tommy Mc Cook, saxophone player for the Skatalites. He knows all about the Ranking Sounds he helped to shape in the 1960's.

It was a time wherein Rastas could not freely walk in the streets, as they would be persecuted by police. Times of severe downpression, a Great Tribulation. Tommy Mc Cook tells about it. Rasta's took the Biblical warning to go to the hills and it would take a long time before some of them would finally break some of that tribulation.

The Power of Music, or: Ranking Sounds!

Tommy Mc Cook tells the story in word and sound, showing how the beat went down in tempo from Ska to Rock-Steady to Reggae. We also see the full Skatalites band in the Studio as they play the Music into the recorder.

But it was not just the bands who were influential in shaping the music. The Sound Systems were equally, even more important, as they would play the recorded music directly for the people.

Duke Reid was one of them, a former police officer whose widow tells us all about what happened back then. Nuff things: Duke Reid carried a gun, protecting his music and equipment.

The art of Toasting came out of that particular time in the 1960's as well. It was U Roy who first recorded it, but Count Machuki is said to have been the first to do it. He is featured in the second hour of Deep Roots, explaining where his style is coming from.

Next to the Count is Lord Comic. He does not always agree with what is said, and he says so, too. The tune in question is "My Boy Lollipop", which was a great Hit in the UK in 1964. We see a recording from the time, in extreme up-tempo.

As an answer to the question what the original DJ thinks about Reggae DJing in the time that the video was recorded, he says that the biggest difference is that "they now have to find a thing called lyrics". After that, we see a young U Roy in session.

Back to Lord Comic and Count Machuki. They boldly take the microphone and start to chant over the music that was hot in the days the video was shot. The styles of these original Ska DJ's become apparent in an entertaining session full of Comical scenery.

Not everything was comical in the days of the early Sound Systems. The police had their hands full, as well as the several posses that accompanied the different Sound Systems. War and Rumors of War? This is not so uncommon in Jamaica, where sufferation is the order of the day as we see in the video.

For the remainder of this 2nd hour, We see Jack Ruby and his Sound, too. The music has become Rub a Dub style, the technology is further, the DJ's chant it up, the people dance: some things change, some things don't.



Thursday, March 5, 2009

DEEP ROOTS

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Dubroom Online - March 5 2009


"DEEP ROOTS" (WEBMASTER'S COLUMN)

WWW, March 5 2009 - In six one-hour episodes, Mikey Dread takes us on a tour through Jamaica during the early 1980's. Not just that, he shows the history of Jamaican people and culture too!

Originally, the series (entitled "Deep Roots") was aired on the UK TV Channel 4 station, and the version that is available online isn't really of the highest quality, but this one is a must for every lover of Reggae Music.

We see Singers and Players of Instruments, Engineers, Producers, you name it. Long sessions and in-depth interviews, a wide variety of scenes and much more.

In the next 6 days, the Dubroom will feature all the episodes, together with a review.

Six hours worth of Reggae History, indeed!

One Love, Give Thanks,
Messian Dread (Dubroom Webmaster)

The above column is the personal opinnion of the Webmaster and does not neccesarily reflect the contents of the Dubroom Website and/or Message Boards and/or Weblogs.

ITEMS FOR THIS EDITION:

DEEP ROOTS 1: REVIVAL (DUBROOM VIDEO REVIEW)

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WWW, March 2009 - With the hand drums in close-up, the horns close by, here is the introduction to a 6 hour excursion to Jamaica in the year 1980. Your host is none other than Mikey Dread at the Controls!


DERRICK HARRIOT (DUBROOM MP3 REVIEW)

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WWW, March 2009 - Born in Jamaica, in 1939, Derrick Harriot is a singer and producer who has been actively participating in the development of Jamaican music longs before that music became Reggae.

DEEP ROOTS 1: REVIVAL

DEEP ROOTS 1: REVIVAL
DUBROOM VIDEO REVIEW

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WWW, March 2009 - With the hand drums in close-up, the horns close by, here is the introduction to a 6 hour excursion to Jamaica in the year 1980. Your host is none other than Mikey Dread at the Controls!

Part 1, entitled "Revival", takes us to the Roots of Reggae, which is directly related to slavery. The story of slavery, when Africans were taken from their homeland to work for the Babylonian colonizers, is explained. Drums were forbidden, torture was the rule: but in all this tribulation, the Africans did keep and develop their culture and dignity.

The enslavers, who claimed to be "Christian", looked down on the Africans. They kept their white religion for themselves, but in 1784 the first Black Church, called "The Ethiopian Baptist Church", was established. A significant event in the further development of Black Spirituality and Culture on Jamaica.

We're taken to what in the meantime has become a rich spectrum of Revival and other Spiritual Movements, all of them having their influence in shaping the Music that we love so much: Roots Reggae, Deep Roots Reggae.

Musically, Reggae has predecessors like Mento and Ska. These musical styles were as much connected with the Jamaican Spiritual heart-beat as Reggae is today. This connection becomes very clear in the long explanations and filmings of sessions.

It has to be clear, before we can continue to go into the Ghetto to meet the Skatalites, the band that had Studio One as their basis. Studio One, where most well-known Reggae artist have one or more times practiced their talents and skills.

As they talk and sing, it become clear that this is 1980. The Skatalites were already legends in Jamaica, as they were very much responsible for creating the rhythm and sound called Reggae some 15 years before that. Things had rapidly changed in that 15 years, and yet, some things stayed the same.

The Nyabinghy rhythm of the Rastafarians, for example. The percussionist starts to explain where he's coming from and plays the rhythm, singing over it...

Another influential group is Toots and the Maytalls, whose tune "Do The Reggay" is said to have given name to the Music, even though the spelling is -for obvious reasons- a bit different today. We see them in an old, old live performance, when Ska was still the music of the time.

Ska was heavily promoted by the first government of Jamaica after independence was declared, in order to promote the indigenous music from "Yard". Jimmy Cliff was another Super Star from that time. We see him too, in black and white film from the 1960's.

Just before the end, we fast forward to 1980 and meet up with Jimmy Riley, who was there back in the 1960's when Reggae came into existence. As he is singing "Poor Immigrants", he reflects on what was then already a Reggae History.

Part 1 of "Deep Roots" establishes a solid foundation for the five hours of essential Reggae History that are yet to come.



Wednesday, March 4, 2009

INTO THE DUBMACHINE

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Dubroom Online - March 4 2009


"INTO THE DUBMACHINE" (WEBMASTER'S COLUMN)

WWW, March 4 2009 - Regular readers of my columns may know, that next to Reggae, I like some forms of electronic music as well. Most of it I will never review for the Dubroom, after all, I also do not write about my other hobbies.

However, sometimes I have to make an exception and the UK based Massive Attack definitely is one of them. They've worked with Horace Andy and Mad Professor even mixed an album for him, which is also reviewed on the Dubroom by the way.

Alpha and Omega, the dynamic UK DUB Duo, is not an exception whatsoever. They are a regular guest in the Dubroom Reviews and that is not just because they've released a tune with my voice on it, a few years ago.

Is all of this UK DUB too much for you? Check out tomorrow, as the next six days will have six hours worth of video straight from Jamaica, 1980, with Mikey Dread at the Control.

One Love, Give Thanks,
Messian Dread (Dubroom Webmaster)

The above column is the personal opinnion of the Webmaster and does not neccesarily reflect the contents of the Dubroom Website and/or Message Boards and/or Weblogs.

ITEMS FOR THIS EDITION:

MASSIVE ATTACK (DUBROOM MP3 REVIEW)

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WWW, March 2009 - Known for their works with Mad Professor and Horace Andy, Massive Attack are not a Reggae Collective.

The music of their art is Trip Hop: a missing link between Reggae DUB and digital Dance music.


ALPHA AND OMEGA WITH UPRISING FEATURING JONAH DAN - DON'T FIGHT DUB (DUBROOM VIDEO REVIEW)

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WWW, March 2009 - The deep monotone bassline, the massive steppers, the meditative melodica, the human voice and of course the effects: Alpha and Omega return with some heavyweight DUB in Sight and Sound!

MASSIVE ATTACK

MASSIVE ATTACK
DUBROOM MP3 REVIEW

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WWW, March 2009 - Known for their works with Mad Professor and Horace Andy, Massive Attack are not a Reggae Collective. The music of their art is Trip Hop: a missing link between Reggae DUB and digital Dance music.

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